Artwork reproduction is a technical problem before it is a creative one. The goal is a file that matches the original: accurate color, even illumination corner to corner, no glare on varnish or glazing, no keystone distortion, and enough resolution to print at scale. That requires cross-polarized lighting for reflective surfaces, a calibrated color target in the first frame of every setup, and a camera positioned dead square to the work.

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Sessions run in studio or on location. Studio sessions suit paintings, works on paper, and small sculpture that can be transported safely. On-location reproduction makes sense for large-format canvases, murals, framed work under glass, installations that cannot be dismantled, and full inventories where moving the work introduces risk.

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Delivery includes

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High-resolution TIFF masters for print and archival storage · Web-optimized JPEGs for galleries, submissions, and social · Color-corrected files verified against the original under controlled light · Embedded IPTC metadata with artist, title, year, medium, dimensions, and credit line

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Common uses

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Exhibition catalogs · Fine art print editions · Gallery and fair submissions · Grant and residency applications · Artist websites and portfolios · Insurance and estate documentation · Collector and estate inventories

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On-location and studio artwork reproduction for artists, galleries, and collectors in Miami and South Florida.

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Select Clients

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· KDR Gallery Miami · Nina Johnson Gallery · WYN317 · Voloshyn Gallery · Agustina Woodgate · Antonia Wright · Magnus Sodamin · Joel Gaitan · Alejandro Piniero Bello · Cici McMonigle · Jeff Wigman · Martha Boto · Austyn Weiner · Museum of Graffiti ·